TP#21: Proving What I Preach, Being Chosen, & Quick Tips

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TP#21: Proving What I Preach, Being Chosen, & Quick Tips

IN THIS ISSUE:
1. Keeping Artists Sane
2. I break down a long video into shorter parts
3. New on the Pod
4. Gangster Quick Tips

studio news

Staying Sane During Project Work

For those of you who don't know, I've been a project manager for thirty years. I've got the high-fallutin initials behind my name and everything. So, when the Kansas Arts Network put out a call for abstracts, I had the idea to propose a session about project management for the artist.

I use PM skills all the time in my art projects and contract negotiations without thinking about it, so it seemed like a good fit. I'm happy to report that I was selected!!

If you're in the Midwest, grab your ticket. It's shaping up to be a great conference.

L.E.A.R.N. course design

Breaking Down a Long Video

My dear readers, the one question I get repeatedly is whether you really need to keep your videos short. I've beaten the horse enough around the science, I won't do that again here. But, what I find most interesting in these emails is that what usually comes next is a lot of context about how they have already recorded their videos, and they run 20 - 30 minutes. In other words, they don't want to redo anything. The good news is, you don't have to. Let's take a look.

To prove what I'm saying, this month I am breaking down an example from a class I'm currently taking, Chinoiserie Foundations by Diane Hill. The Module is on how to paint a Peony in the Chinoiserie style.

Yes, I groaned at the 37-minute runtime for several reasons. First, I already know that if I want to return to a specific section within the lesson, I'll have to rewatch the whole thing. Second, I know that I'm unlikely to retain all the info. Lastly, I was tired when I fired it up. I didn't have time for 37 minutes. I had 15 minutes in me at most. So, what did I do? I turned it off and returned a week later when I had more time.

By the way, that week was a week for me to get completely sidetracked by life, work, or some other squirrel that caught my attention. I kept putting off her class because I needed to dedicate 37 minutes to watching this video. So, take note that you risk losing your students in this scenario.

Having now gone through the lesson, I know it could have been broken down into the following topics:

  1. Mixing base paint (3:33)
  2. Painting the base layer (6:33)
  3. Mixing shading paint (1:46)
  4. Painting the shading layer (17:43)
  5. Troubleshooting your shading (2:46)
  6. Mixing outline paint (1:43)
  7. Painting the outline layer (5:02)

Looking at it like this, you can see at least seven subtopics to the more general idea of painting a Chinoiserie peony. An added benefit is that your student can easily come back to one of those specific subtopics without having to rescan an entire video.

But, Toni, you say. One of the modules is seventeen minutes. Isn't that outside of the recommendations? Yes, it is. But, in this case, most of those seventeen minutes are Diane repeating the same process on each of the thirteen petals. No new information is being introduced, and repetition is good for retention. If she'd asked me to audit the course before publishing it, I'd have told her to speed up that video for the last seven petals.

And, she doesn't have to rerecord anything. All she has to do is cut the long video into shorter segments. Fade to black at the appropriate marker, add an appropriate transition clip, and voilà. Easy peasy.

There you have it, one 37-minute lesson has become seven smaller, more easily retained mini-lessons. You've also given your students a better user experience. I've had to go back to shading twice and it sucks having to scan my way through the video to find what I'm looking for.

Make it easy on your students, set them up for success, and they'll come back for more.

What questions do you have? Email me at hello@owlmedicinedesigns.com or simply hit reply.

PODCAST

This Month on the Pod ...

If you haven't yet tuned in to Two Cranky Creatives, I hope you connect with us and listen wherever you get your podcasts! This month on the podcast, we discuss the value of art with Julia Barry, cultural appropriation with Xhico, and making bad art with Melissa Johnson.

New episodes drop every other Wednesday!

ARTY STUFF

Macarons on My Mind

You may not know this, but a year or so ago, I went all in with Sherwin-Williams. I reasoned that if I used their color palette for my wallpaper and wall art designs, they were more likely to coordinate with the paint on most folks' walls (SW had the largest market share in the paint world as of the last time I did that research).

So, when SW announced their Lonliest Color 2020, Radiant Lilac, Macarons jumped to mind and I had to give it friends, so I added Radish, Kingdom Gold, and Aquamarine from the SW portfolio.

This print, and all my wall art, is available on my Etsy shop.

Graphics Gang

New on Graphics Gang

Over on Patreon, I've begun a new series where each month I drop a short design tip for our Gangsters. These are monthly posts on essential topics that don't need a full tutorial. So far, I've talked about licensing catalog pages and ending a color rut. In the queue for June is a tip on Tear Sheets and why they are helpful. In July, I'm giving the Gangsters my personal AI prompt for creating SEO-optimized captions and descriptions for socials and POD. This particular tip has saved me 4-5 hours in admin work for my designs.

LOVE THIS NEWSLETTER?

If so, choose one of these ways to let me know:

  • Option 1: Send this to a fellow creative. Setting your students up for success is simple with the right information. If you know someone seeking to add course creation to their portfolio, send this their way!
  • Option 2. Send me a sentence or two about what you enjoyed! I honestly want to hear from you. I don't want to type into the ether. Connect with me. That's more fun!

Thank you so much for reading! I spend a lot of time trying to make this newsletter worth its place in your inbox. I hope that comes through!

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